FOR IMMEDIATE RELEASE: CONTACT: Tammy Cromer-Campbell
December 5, 2015

903.236.4686, tammy@tccphoto.com

2015 Texas Photographic Society’s 28th Annual Member’s Only Show Juror: Keith Carter

28th Annual Members' Only Show

Juror Keith Carter has selected 50 images from 50 artists for this year's Members' Only Show. Congratulations to all the exhibiting photographers! A complete list of artists, with award winners noted in bold, are as follows:

Hugh Adams | Geoffrey Agrons | Jimmy Ball | Mariana Bartolomeo | Eleanor M. Brown | Suzy Burleson | Ryn Clarke | Troy Colby | Sam Davis | Kay J. Denton | Paul Greenberg | Tytia Habing | Susan Hanson | Mark Hickman | Susan Keiser | Danielle René Khoury | Deb Kreimborg | Kent Krugh | Bonnie Landis | Robert Linsky | Annie Lopez | Caroline MacMoran | Ed Malcik | Jamie Maldonado | Leba Marquez | Marilyn Maxwell | Shawn McBride | Julie McCarthy | Edgar Miller| Chet Morrison | Bill Motley | Hannah Neal | Janet Flato Sanders | Patricia Sandler | Shawn Saumell | Wendi Schneider | Deb Schwedhelm | Danny Schweers | Sharon O'Callaghan Shero | Sara Silks | Winifred Simon | Catherine W. Singer | Chad D. Smith | Steven Stokan | Beckwith Thompson | Thomas Urgo | Carol Watson | Sandra Chen Weinstein | Jonas Yip | Dianne Yudelson

The exhibition will hang at the TCC PHOTO | GALLERY in Longview, Texas, from December 10, 2015, through March 18, 2016, located at 207 N. Center St., Longview, TX 75601 or at tccphotogallery.com. An opening reception will take place on Thursday, December 10 from 5-8:00pm in conjunction with the Longview’s ArtWalk. We hope you can attend! Go here to view. http://www.tccphoto.com/blog/wp-admin/post.php?post=455&action=edit&message=6

About Keith Carter

Carter is the recipient of numerous awards including the Texas Medal of Arts and the Lange-Taylor Prize from the Center for Documentary Studies at Duke University. In addition, Carter has received the highest honors given to faculty for teaching, the University Professor Award, The Distinguished Faculty Lecturer Award, and the Regents’ Professor Award. He is the author of eleven books: “Fireflies”, “A Certain Alchemy”, “Opera Nuda”, “Ezekiel’s Horse”, “Holding Venus”, “Keith Carter Photographs: Twenty-Five Years”, “Bones”, “Heaven of Animals”, “Mojo”, “The Blue Man”, and “From Uncertain to Blue”.

Carter’s work has been exhibited widely in over 100 solo exhibitions in 13 countries. His work is included in numerous private and public collections, including the National Portrait Gallery, Washington D.C.; the Art Institute of Chicago; the Smithsonian American Art Museum; the San Francisco Museum of Modern Art; the J. Paul Getty Museum, Los Angeles; the Museum of Fine Arts, Houston; the George Eastman House; and the Wittliff Collection of Southwestern & Mexican Photography in San Marcos, Texas.

Juror’s Statement
As an educator and practicing artist, I am fond of a wide variety of photographic styles. From elegant historical processes, digital composites, and cell phone images, it’s the authenticity of ideas presented that continually interest me.

After forty years of image making I find the work of others exciting, particularly when it educates or enlarges my own world. What I look for are moments of revelation when the world is at once mysterious and crystal clear. Those visual pleasures are, in my experience, rare and to be cherished.

When confronted with unfamiliar work I often ask myself several questions:

1. What exactly am I looking at?

2. What are they trying to tell me?

3. Were they successful?

4. Was it worth doing in the first place?

I look forward to your sharing what you find interesting in the world.

September 23, 2015 Contact: Tammy Cromer-Campbell

For Immediate Release: tammy@tccphoto.com, 903.236.4686

5th Annual Holga & MORE Out of the Box (on creativity that is) Photo Competition

Exhibition Winners Juror: Michelle Bates

Michelle Bates selected an awesome exhibition from all the entries from 4 countries and the United States. Stop by and see the 5th Annual Holga & MORE Out of the Box (on creativity that is) Photo Competition Exhibition Winners at 207 N. Center St., Longview, TX 75601 or online at

http://www.tccphoto.com/gallery.

Here are the winners:

1st Place: Nevermore, 1st Place, Holga Infrared with Hoya IR filter, Archival Carbon Pigment Print, $800, © Ryan Synovec, Seattle, WA

2nd Place: Quiet, 2nd Place, Archival Pigment Print, Diana camera, $600

© Richard Bonvissuto, Palm Springs, CA


3rd Place: French Quarter Study #18, 3rd Place, Archival Pigment Prints,

Pinhole Holga, $950, 2/15, © Terrell Clark, Atlanta, GA


Honorable Mentions:

Repose, Archival Pigment Print, Holga SF, $500 © Adrienne Defendi, Palo Alto, CA

During The Rain, Archival Pigment Print, Banner Camera, $550, © 2015 Chuck Baker, Nijmegen, Netherlands

Rejected, Archival Pigment Print, Holga N Modified, $200, © Karen Janas, Lombard, IL

The ghostly sister, Archival Pigment Print, $400, 4/30, An P+ (Diana F+ personified) © Jaybees, Lambersart, France

Early Dreamers, C-Print from Wet Plate Collodion Tintype, Holga 120, $225, © Barbara J. Dombach, Holtwood, PA

Mark In Pool, Archival Pigment Print, Diana camera, $600 © Richard Bonvissuto, Palm Springs, CA


Juror: Michelle Bates said this about selecting the show:

This was a very fun exhibition to jury; there were many images with a fresh originality in style and subject, along with technical expertise. I didn't know photographers or any title, camera, or technical data when reviewing the images, and, as is usual these days, worked from digital files (which is very different than seeing framed photographs that take into account printing, size and framing choices).

I found myself responding to many photos that included people, but from the back or side, not engaging with the camera. Once I realized that, I went with it, to help create a coherent exhibition (and there were many to select from). I also respond to light used as a subject, and to strong patterns.

The top choice for this year was Ryan Synovec's infrared Holga photo, "Nevermore." I have loved Ryan's photos for years, but didn't recognize this as his, since he keeps expanding the range of what he makes infrared images of with his Holga (from traditional foliage, to buidlings, to clouds and more). The image has a slightly impossible look to it, as it turns out because the tree is a metal sculpture. The raven, however, is real. The glow of the tree and clouds is stunning.

Richard Bonvissuto's Diana camera image, "Quiet," (second place) captures the texture of the water in a palpable way, evoking both stillness and movement. The unseen gaze of the subject allows the viewer to imagine any mood they might be feeling, or want to feel. Images like this are successful to me because they allow different interpretations and keep me interested over time.

Third place went to Terrell Clark's pinhole Holga image, "French Quarter Study #18." The strong graphics, unusual perspective, leading angles, complementary shapes, and evocation of a place and mood all attracted me to this image, and keep my eyes wandering around and around it.

Each of the beautiful honorable mention photos, by Adrienne Defendi, Chuck Baker, Karen Janas, Jean-Baptiste Morand, Barbara J. Dombach, and, once again, Richard Bonvissuto, contain compositional elements that draw my eye and keep it engaged with the image; wondering where the path leads, where the man is going, what the women are thinking, and little bit of "what is going on there?"

I'm impressed with the quality of the entries, love the images that make up the show, and appreciate everyone who entered and shared the images with us. I look forward to seeing what the images look like framed!

###

Getting Serious With a Toy Camera

8th Annual International Holga and Friends Photography Contest, Juror Burt Finger, Deadline August 25, 2018.
The 7th Annual Holga & Friends Out of the Box (on creativity that is) International Photography Competition is now under way with juror, O. Rufus Lovett, a professional photographer, teacher, lecturer, author and curator based in Longview, Texas. It is open to amateur and professional photographers around the globe that use a toy camera or an element of it. Photographs of your choice of subject matter made with any low-end, low-tech, limited-control camera “toy” camera – such as pinhole, Holga, Diana, Konstruktor F, Brownies, Anscos, and other Lomo products— will be accepted. Photographs made from Polaroid-type film backs attached to Holgas are also welcome. Photographs made from a DSLR or SLR with a pinhole, Holga, Diana, or plastic lens will be accepted. The Holga & Friends Out of the Box International Photography Exhibition opens in our space at 2543 Farrington St., Dallas, TX 75207 - in the Dallas Design District ! Lomography and Freestyle are sponsoring the exhibit.
Getting Serious with a Toy Camera Photographs by John Armstrong and Artist Talk at 7pm Tammy Cromer Photography is located at 2543 Farrington St., Dallas, TX 75207 214.4307148 | tammy@tammycromer.com | tammycromergallery.com
A few words… When I was 5, I went on a six week road trip with my aunt and uncle to California and up the west coast to Seattle. My aunt had a Kodak TLR that she carefully held while composing her shots of interesting places along the way. I had an Imperial Mark XII that my parents had bought for me to take along on the trip. My aunt’s words of encouragement for taking pictures were to be still and to hold the camera level. As you can see in my photos, I still don’t always manage to hold the camera level and the road trip has never ended. Just Passing Through is an ongoing series of places slowly fading from the American landscape. Skeletons of buildings and relics of times past are my favorite spots. Randomly found, stealthily pursued and occasionally staged scenes serve as places that become portals for time travel in an obscure way. They open the imagination to unexpected possibilities. Becky Ramotowski is a regular contributor to the San Antonio Express-News through her
Come see the remarkable work of Seattle photographer Ryan Synovec. He photographed it with a Holga camera and infrared film. It is a great show. Join us April 7 from 5 -8 pm at TCC PHOTO | GALLERY, located at 207 N. Center St., Longview, Texas 75601 and online at www.tccphotogallery.com . The exhibit is up through May 20, 2016.
Juror Keith Carter has selected 50 images from 50 artists for this year's Members' Only Show. Congratulations to all the exhibiting photographers! A complete list of artists, with award winners noted in bold, are as follows...
Come by and view Loli Kantor’s Beyond the Forest, Jewish Presence in Eastern Europe, 2004-2012, exhibit. It will be up from July 2 - August 14, 2015. Loli Kantor is a Fine Art and documentary photographer based in Fort Worth, Texas. Her photographs which have garnered notable awards are in public collections including the Museum of Fine Arts, Houston, The Harry Ransom Center at the University of Texas at Austin, Lviv National Museum, Ukraine, and Lishui Museum of Photography in China. Kantor was born in Paris, France, and raised in Tel Aviv, Israel. She has also been published in numerous publication, including Lens Work. We are located at 207 N. Center St., Longview, Texas. The exhibit opens with ArtWalk, Thursday, July 2, from 5 - 8pm.

28th Annual Members' Only Show

12/5/2015

FOR IMMEDIATE RELEASE: CONTACT: Tammy Cromer-Campbell
December 5, 2015

903.236.4686, tammy@tccphoto.com

2015 Texas Photographic Society’s 28th Annual Member’s Only Show Juror: Keith Carter

28th Annual Members' Only Show

Juror Keith Carter has selected 50 images from 50 artists for this year's Members' Only Show. Congratulations to all the exhibiting photographers! A complete list of artists, with award winners noted in bold, are as follows:

Hugh Adams | Geoffrey Agrons | Jimmy Ball | Mariana Bartolomeo | Eleanor M. Brown | Suzy Burleson | Ryn Clarke | Troy Colby | Sam Davis | Kay J. Denton | Paul Greenberg | Tytia Habing | Susan Hanson | Mark Hickman | Susan Keiser | Danielle René Khoury | Deb Kreimborg | Kent Krugh | Bonnie Landis | Robert Linsky | Annie Lopez | Caroline MacMoran | Ed Malcik | Jamie Maldonado | Leba Marquez | Marilyn Maxwell | Shawn McBride | Julie McCarthy | Edgar Miller| Chet Morrison | Bill Motley | Hannah Neal | Janet Flato Sanders | Patricia Sandler | Shawn Saumell | Wendi Schneider | Deb Schwedhelm | Danny Schweers | Sharon O'Callaghan Shero | Sara Silks | Winifred Simon | Catherine W. Singer | Chad D. Smith | Steven Stokan | Beckwith Thompson | Thomas Urgo | Carol Watson | Sandra Chen Weinstein | Jonas Yip | Dianne Yudelson

The exhibition will hang at the TCC PHOTO | GALLERY in Longview, Texas, from December 10, 2015, through March 18, 2016, located at 207 N. Center St., Longview, TX 75601 or at tccphotogallery.com. An opening reception will take place on Thursday, December 10 from 5-8:00pm in conjunction with the Longview’s ArtWalk. We hope you can attend! Go here to view. http://www.tccphoto.com/blog/wp-admin/post.php?post=455&action=edit&message=6

About Keith Carter

Carter is the recipient of numerous awards including the Texas Medal of Arts and the Lange-Taylor Prize from the Center for Documentary Studies at Duke University. In addition, Carter has received the highest honors given to faculty for teaching, the University Professor Award, The Distinguished Faculty Lecturer Award, and the Regents’ Professor Award. He is the author of eleven books: “Fireflies”, “A Certain Alchemy”, “Opera Nuda”, “Ezekiel’s Horse”, “Holding Venus”, “Keith Carter Photographs: Twenty-Five Years”, “Bones”, “Heaven of Animals”, “Mojo”, “The Blue Man”, and “From Uncertain to Blue”.

Carter’s work has been exhibited widely in over 100 solo exhibitions in 13 countries. His work is included in numerous private and public collections, including the National Portrait Gallery, Washington D.C.; the Art Institute of Chicago; the Smithsonian American Art Museum; the San Francisco Museum of Modern Art; the J. Paul Getty Museum, Los Angeles; the Museum of Fine Arts, Houston; the George Eastman House; and the Wittliff Collection of Southwestern & Mexican Photography in San Marcos, Texas.

Juror’s Statement
As an educator and practicing artist, I am fond of a wide variety of photographic styles. From elegant historical processes, digital composites, and cell phone images, it’s the authenticity of ideas presented that continually interest me.

After forty years of image making I find the work of others exciting, particularly when it educates or enlarges my own world. What I look for are moments of revelation when the world is at once mysterious and crystal clear. Those visual pleasures are, in my experience, rare and to be cherished.

When confronted with unfamiliar work I often ask myself several questions:

1. What exactly am I looking at?

2. What are they trying to tell me?

3. Were they successful?

4. Was it worth doing in the first place?

I look forward to your sharing what you find interesting in the world.

September 23, 2015 Contact: Tammy Cromer-Campbell

For Immediate Release: tammy@tccphoto.com, 903.236.4686

5th Annual Holga & MORE Out of the Box (on creativity that is) Photo Competition

Exhibition Winners Juror: Michelle Bates

Michelle Bates selected an awesome exhibition from all the entries from 4 countries and the United States. Stop by and see the 5th Annual Holga & MORE Out of the Box (on creativity that is) Photo Competition Exhibition Winners at 207 N. Center St., Longview, TX 75601 or online at

http://www.tccphoto.com/gallery.

Here are the winners:

1st Place: Nevermore, 1st Place, Holga Infrared with Hoya IR filter, Archival Carbon Pigment Print, $800, © Ryan Synovec, Seattle, WA

2nd Place: Quiet, 2nd Place, Archival Pigment Print, Diana camera, $600

© Richard Bonvissuto, Palm Springs, CA


3rd Place: French Quarter Study #18, 3rd Place, Archival Pigment Prints,

Pinhole Holga, $950, 2/15, © Terrell Clark, Atlanta, GA


Honorable Mentions:

Repose, Archival Pigment Print, Holga SF, $500 © Adrienne Defendi, Palo Alto, CA

During The Rain, Archival Pigment Print, Banner Camera, $550, © 2015 Chuck Baker, Nijmegen, Netherlands

Rejected, Archival Pigment Print, Holga N Modified, $200, © Karen Janas, Lombard, IL

The ghostly sister, Archival Pigment Print, $400, 4/30, An P+ (Diana F+ personified) © Jaybees, Lambersart, France

Early Dreamers, C-Print from Wet Plate Collodion Tintype, Holga 120, $225, © Barbara J. Dombach, Holtwood, PA

Mark In Pool, Archival Pigment Print, Diana camera, $600 © Richard Bonvissuto, Palm Springs, CA


Juror: Michelle Bates said this about selecting the show:

This was a very fun exhibition to jury; there were many images with a fresh originality in style and subject, along with technical expertise. I didn't know photographers or any title, camera, or technical data when reviewing the images, and, as is usual these days, worked from digital files (which is very different than seeing framed photographs that take into account printing, size and framing choices).

I found myself responding to many photos that included people, but from the back or side, not engaging with the camera. Once I realized that, I went with it, to help create a coherent exhibition (and there were many to select from). I also respond to light used as a subject, and to strong patterns.

The top choice for this year was Ryan Synovec's infrared Holga photo, "Nevermore." I have loved Ryan's photos for years, but didn't recognize this as his, since he keeps expanding the range of what he makes infrared images of with his Holga (from traditional foliage, to buidlings, to clouds and more). The image has a slightly impossible look to it, as it turns out because the tree is a metal sculpture. The raven, however, is real. The glow of the tree and clouds is stunning.

Richard Bonvissuto's Diana camera image, "Quiet," (second place) captures the texture of the water in a palpable way, evoking both stillness and movement. The unseen gaze of the subject allows the viewer to imagine any mood they might be feeling, or want to feel. Images like this are successful to me because they allow different interpretations and keep me interested over time.

Third place went to Terrell Clark's pinhole Holga image, "French Quarter Study #18." The strong graphics, unusual perspective, leading angles, complementary shapes, and evocation of a place and mood all attracted me to this image, and keep my eyes wandering around and around it.

Each of the beautiful honorable mention photos, by Adrienne Defendi, Chuck Baker, Karen Janas, Jean-Baptiste Morand, Barbara J. Dombach, and, once again, Richard Bonvissuto, contain compositional elements that draw my eye and keep it engaged with the image; wondering where the path leads, where the man is going, what the women are thinking, and little bit of "what is going on there?"

I'm impressed with the quality of the entries, love the images that make up the show, and appreciate everyone who entered and shared the images with us. I look forward to seeing what the images look like framed!

###